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谁家新燕啄春泥 ——赏周燕国画之随想

减小字体 增大字体 作者:日月明  来源:中国时代艺术网  发布时间:2020-06-01 21:59:18

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观周燕之画,最深刻的印象就是充满中国人文情节中“采菊东篱下,悠然见南山齐齐哈尔配资开户 ”的志趣。她植根于中国古人绘画中深厚的沃土,涉取丰富的营养,滋润了她的成长。这使我想起元代画家倪瓒的一幅《渔庄秋雯图》,画中湖水淡荡、空明澄净。在净净的景致中似乎没有一丝人的足迹,没有一声鸟语,但画工之外,一种灵气跃然纸上。我不知道周燕有没有临摹过这幅画,但她肯定“入古”颇深,古人画作中的意境浸染在她的笔下,使她画作呈现古淡天然,高洁脱俗,清疏俊郎之气韵。一个真正的画家,既要必须“入古”,又要懂得“出新”。在周燕山水画意境的构造中,我觉得在中国传统文化之外,西方文化似乎对她也有一定的影响,特别是看她最近一幅《立夏夜》的作品,水波的波涛似乎可以从凡·高《自画像》中的旋卷中看到影子,波涛给人一种力量,既有生命的坚实又有超凡的心境,我想这正是她不断在破与立中,对自己艺术意蕴的一种探索与超越。只有真正“入古”,又能更好“出新”,艺术才能有真正的生命力。

几处早莺争暖树,谁家新燕啄春泥齐齐哈尔配资开户 ”是著名诗人白居易《钱塘湖春行》中的名句,千百年来广为人们所传诵。这句诗的魅力在哪儿呢?因为诗中既有朴素的自然之美,更有画家的灵魂之美。 正如美学家别林斯基说的,“无论在哪一种情况下,美都是从灵魂深处发出的,因为大自然的景象是不可能绝对的美,这美隐藏在创造或者观察它们的那个人的灵魂里。”周燕的画美在哪儿呢?关键也正是在创作的题材中,把“自然之美”与“生命之美”有机的融合。

齐齐哈尔配资开户ZHOUYANDEGUXIANGZAIHANGZHOULINAN,SHINANSONGWANGCHAODEDOUCHENG。LINANJINGNEI,TIANMUSHANSHANGGUMUCONGLONG,QINGSHANHUPANBIBOYINGHUI,ZHEIXIEWUXINGZHONGYINGXIANGLETADUICHUANGZUOTICAIDEXUANZE。TADEHUAZUOZHONG,BUSHAODOUYUSHANSHANSHUISHUIYOUZHEZHIJIEDE配资开户 ,WOKANGUOTAYIZUWUYUANXIESHENGDEZUOPIN《WUHOU》《MUGE》,WUYIXIESHENGDEZUOPIN《XIAFENGLIUSU》《YINYUN》,YIZHONGQINGXINZHIMEIPUMIANERLAI,SIHUKEYIWENDAOZIRANDEFANGXIANG。YIGEHUAJIADEXIESHENGZUOPINWOJUEDEZUINENGZHIGUANDIGANZHITADESHENMEIQINGQU,YINWEIZHEIWANGWANGSHITAZUIYUANYUNEIXINSUOYAOBIAODADEDONGXI,WOXIANGZHEIZHENGSHIZHOUYANDUIZIRANZHENZHIDEGANSHOUHENEIXINDEFENGYING。ERCHAOYUEZIRANZHIMEI,YONGYISHUANGMEIDEYANJING,YONGLINGHUNGENGHAODIBIAODADUIZIRANDEXINSHANG,ZHEIBIRANSHIYIGEZHENZHENGYOUXIUHUAJIADEYAOQIU。ZAIZHOUYANDEHUAZUOZHONG,TAZOUJINLEZIRAN,YOUZOUCHULEZIRAN,TADE《CHUNJIANGSHUINUANYAXIANZHI》《CAOZHANGYINGFEISIYUETIAN》《SHANSEKONGMENGYUYIQI》,TADE《JINGRICIYOUXUN》《CHUNLUYUTIANHUA》《LIUFENGFUSIMIAN》,HUAJIAZHENZHENGYONGNEIXINQULINGTINGZIRANDESHENGYIN,SHENGMINGDESISUO,SHIJIEDERENZHI,ZHEICAISHIYIZHONGDAMEI。

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